Antique Le Blond Prints - The Regal Set
Back to:People and Portraits
Title: The Regal Set
Date: c. 1850 - 1851
Description: Abraham and Robert Le Blond Baxter type oil prints, set of 10 miniature views, framed. Called 'needle box prints, they were intended to be disected and laid on womens needleboxes.
The scenes include Queen Victoria and Prince Albert, Barmoral, The Great Exhibition - Crystal Palace, Osborne House -Isle of Wight, Her Majesty at Balmoral Castle, Brothers Water From Kirkstone Foot -Westmoreland, Her Majesty Leaving Portsmouth Harbour, Her Majesty opening Parliament, Prince Albert in St. James Park and Venice.
Condition: Disected and laid down on card in an old gilt frame.
Image size: 27 x 47mm
1 x 2" each approx.
Order No. 8766
The Regal Set - Le Blond Prints
Abraham Le Blond was born on February 11th, 1819 in Wymondham, Norfolk. One of three children, he was descended from an old aristocratic Huguenot family which included Christopher Le Blon who was known as 'The Father of the Three - Colour Process'.
Very little is known of Le Blond's early years, or where he learnt his trade as an engraver and printer. Records show, however, that the firm of Le Blond & Co. was established by Abraham and his older brother, Robert (1816 - 1863) , between 1840 and 1845 at 4 Walbrook, London. Robert left the business in 1856, when he departed for America.
During the mid nineteenth century the artist, publisher and printer, George Baxter (1804-1867), created a complex method of printing images in colours with oils by means of combining wood blocks and metal plates. The complex technique met with great success and thus some of the earliest and most accomplished Victorian era colour prints bear the names of George Baxter and of his immediate followers.
Le Blond & Co. became the principal Baxter licensees in 1849. They enlarged their premises in 1850 and produced their first print by the Baxter Process (the Royal Family at Windsor) in the same year. From 1850 until about 1867 the firm produced large quantities of prints using the Baxter Process. They produced many small prints which were used for pocket book illustrations and the 'ticket-trade' (labels for the fabrics trade) and Le Blond's work was often sold on his own special embossed mounts.
Le Blond produced just over 100 prints using the Baxter Process as well as some reproductions of Baxter's originals which have become known as 'Le Blond-Baxters'. Abraham Le Blond is best known today, however, for his set of 32 oval prints which are of an extremely high standard and much sought after today. Latter ovals bear the name 'L.A. Elliot & Co., Boston, U.S.' as well as the name 'Le Blond & Co., London' as many were produced for the USA market. The ovals were also unique in that they were printed directly onto the embossed mount unlike Baxter's prints which were glued to a mount after printing.
In 1867 George Baxter died, and a year later Le Blond acquired 66 sets of Baxter's original plates and blocks and republished these subjects. These Le Blond-Baxters were more cheaply produced than the original Baxters and generally are not of such high quality. Le Blond removed Baxter's signature from the plates and added his own, but unscrupulous dealers have been known to cut the print short to remove the Le Blond signature and pass the print off as a Baxter.
Like many other printers, Le Blond & Co. turned to the cheaper method of lithography, but even so the business ran into financial difficulties and in 1893 Le Blond sold all his plates and blocks (including those Baxters he had acquired) together with his stock of prints to Mr Frederick Möckler, a bank manager from Wooton-under-Edge. Finally, a receiver was appointed in 1894, the same year in which Abraham died, aged 75 years.